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Antonin Dvorak View Sheet Music for this Artist
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Antonin Dvorák’s life did not start out
on a musical “note”, but rather as his father’s apprentice as a
butcher! Naturally, he encouraged the young and impressionable Dvorák
to follow in his footsteps but Antonin utterly despised the job. At 16,
he entered the Prague Organ School whereupon graduating he almost
became a church musician with the prompting of his teachers. Dvorak,
fortunately, realized his musical ability and set his sights higher. As
an accomplished viola player, he set out playing with a group of people
in a variety of public settings. In 1863, this ensemble became the
foundation for a Czech orchestra, and was subsequently used by Wagner
on a trip through Prague. It was at this time that Dvorák, aged 24
wrote his first two symphonies (in the same year). | |
By the time Dvorák was 30, his attention turned completely to
private teaching and composing. He wed former student Anna Cermakova,
completed his Third Symphony, and reaped many musical rewards in the
form of financial and competitive success. Dvorák repeatedly won the
competition for the Austrian State Stipendium and with this, Johannes
Brahms (a juror) recommended him to his own publisher. He gained
popularity almost instantly with his Slavonic Dances (1878) and from
then on, Dvorak’s name was synonymous with brilliant composer and
musical genius. |
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As comfortable as his life was, Dvorák suffered the loss of three of
his children and was a target of anti-Czech feelings from Brahms and
his publisher. They suggested he move to Vienna or Berlin and publish
his works with German titles. Dvorak silenced them when he received an
honorary doctorate from Cambridge University. He became director at the
National Conservatory of Music in New York, composing a number of
works, including his famous 9th Symphony (from New World Symphony)
(1893). Before he died back in his homeland, further travels took him
to Niagara Falls in Ontario, Canada and upon viewing this splendor,
exclaimed, “ What a symphony in B minor that will be!” Although some
aspects of his music show American influence, echoes of Dvorák’s love
for his homeland clearly reverberate in his colorful harmonies,
influenced by the richest of the Czech folk melodies. | |
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