Johann Sebastian Bach Ver partituras de este artista 
Johann Sebastian Bach (Eisenach, Turingia, 21 de marzo de 1685 – Leipzig, 28 de julio de 1750) fue un organista y compositor alemán de música del Barroco, miembro de una de las familias de músicos más extraordinarias de la historia (alrededor de 120 músicos).
Su reputación como organista y clavecinista era legendaria, con fama en toda Europa. Aparte del órgano y del clavecín, también tocaba el violín y la viola de gamba, además de ser el primer gran improvisador de la música de renombre.
Su fecunda obra es considerada como la cumbre de la música barroca y una de las cimas de la música universal y del pensamiento musical occidental, epicentro de la música occidental, y uno de los grandes pilares de la cultura universal, no sólo por su profundidad intelectual, su perfección técnica y su belleza artística, sino también por la síntesis de los diversos estilos internacionales de su época y del pasado y su incomparable extensión. Bach es el último gran maestro del arte del contrapunto, y su máximo exponente, donde es la fuente de inspiración e influencia para posteriores compositores y músicos desde Mozart pasando por Schoenberg, hasta nuestros días.
Sus obras más importantes están entre las más destacadas y trascendentales de la música clásica y de la música universal. Entre ellas cabe mencionar los Conciertos de Brandeburgo, el Clave bien temperado, la Misa en si menor, la Pasión según San Mateo, El arte de la fuga, La ofrenda musical, las Variaciones Goldberg, la Tocata y fuga en re menor, las Cantatas sacras 80, 140 y 147, el Concierto italiano, la Obertura francesa, las Suites para violonchelo solo, las partitas y sonatas para violín solo y las suites orquestales.
Johann Sebastian Bach Partituras
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| Titulo |
Arreglos |
| Air On The G String |
1 |
| Alla Siciliano |
1 |
| Allegro From Violin Concerto In E Major, Bwv 1042 |
1 |
| Allemande |
1 |
| Aria |
1 |
| Aria - Goldberg Variations |
4 |
| Aria (Theme) |
1 |
| Aria (from The Goldberg Variations) |
1 |
| Aria Sulla Corda Di Sol (Air On A G String) |
81 |
| Ave Maria |
6 |
| Badinerie |
17 |
| Badinerie (from Orchestral Suite No. 2 in B Minor BWV 1067) |
17 |
| Bist Du Bei Mir (If You Are With Me) |
1 |
| Bist du bei mir (You Are With Me) |
3 |
| Bouree, BWV 996 |
1 |
| Bourree In E Minor |
1 |
| Bourrée No.1 |
1 |
| Brandenburg Concerto No. 3 |
1 |
| Brandenburg Concerto No. 3 in G (1st movement: Allegro) |
1 |
| Brandenburg Concerto No. 5 |
1 |
| Break Forth, O Beauteous, Heavenly Light |
3 |
| Come, Saviour Of The Gentiles |
1 |
| Come, Sweetest Death |
1 |
| Concerto For Two Violins (2nd movement: Largo ma non troppo) |
1 |
| Concerto No. 5 in F Minor (2nd movement: Adagio) |
1 |
| Contrapunctus No.1 from The Art of Fugue |
1 |
| Crucifixus (from ‘Mass In B Minor') |
1 |
| Double Violin Concerto |
1 |
| Draw Near to Me |
1 |
| Du Friedefurst Herr Jesu Christ |
1 |
| Fantasia in C minor |
2 |
| Fugue 1-5, The Well-Tempered Clavier, Book 1, BWV 846-850 - Original Versions |
5 |
| Gavotte (from Suite No. 6 in D Major for Unaccompanied Cello) |
1 |
| Gavotte (from the Suite for Orchestra in D) |
1 |
| Gavotte 1 |
1 |
| Gavotte, BWV 816 |
1 |
| Gavotte I, BWV 808 |
1 |
| Gavotte II, BWV 811 |
1 |
| Gavotte en Rondeau, BWV 811 |
1 |
| Gavotte in G Major (from French Suite No. 5) |
2 |
| God's Time Is The Best |
1 |
| Harpsichord Concerto No. 5 |
1 |
| Humble Us By Thy Goodness |
1 |
| I Stand At The Threshold |
1 |
| I Would Beside My Lord (from St Matthew Passion) |
1 |
| In Tears Of Grief (from St Matthew Passion) |
2 |
| Invention No.13 |
1 |
| Invention No.8 in F |
1 |
| Italian Concerto (1st movement: Allegro animato) |
1 |
| Italian Concerto In F |
1 |
| Jesus, Alegria Dos Homens (Kantate BWV 147) |
10 |
| Keep, O My Spirit |
1 |
| Largo |
2 |
| Largo (Pno.Con.In F Min--Bach) |
1 |
| Lie Still, O Sacred Limbs (from St John Passion) |
1 |
| Little Prelude In C |
1 |
| March In D Major |
1 |
| March In D Major, BWV App. 122 |
1 |
| March In E-Flat Major, BWV App. 124 |
1 |
| March In G Major, BWV App. 124 |
1 |
| March in D |
1 |
| Menuet In G Major, BWV App. 116 |
1 |
| Minuet (from Orchestral Suite No. 2 in B Minor) |
2 |
| Minuet, BWV 817 |
1 |
| Minuet I, BWV 813 |
1 |
| Minuet In D Minor |
1 |
| Minuet In G |
5 |
| Minuet In G Minor |
3 |
| Minuet from Notebook For Anna Magdalena |
3 |
| Musette BWV 126 |
7 |
| My Heart Ever Faithful |
1 |
| My Heart Is Filled With Longing |
1 |
| O Jesulein Suss |
1 |
| O Sacred Head, Surrounded (from St Matthew Passion) |
1 |
| Oboe Concerto In D Minor (Adagio) |
1 |
| Passepied No. 1 (from Orchestral Suite in C) |
1 |
| Passepied No.1 |
1 |
| Polonaise In G Major, BWV App. 130 |
1 |
| Polonaise In G Minor, BWV App. 124 |
1 |
| Polonaise In G Minor, BWV App. 125 |
1 |
| Prelude, BWV 823 |
1 |
| Prelude, BWV 939 |
1 |
| Prelude In C Minor (BWV 999) |
3 |
| Prelude No. 1 In C Major, Well Tempered Clavier Book 1, BWV 846 |
5 |
| Prelude No.1 in C Major (from The Well-Tempered Clavier, Bk.1) |
4 |
| Prelude and Fugue No.1 in C Major (from The Well-Tempered Clavier, Bk.1) |
1 |
| Prelude and Fugue No.12 in F Minor (from The Well-Tempered Clavier, Bk.2) |
1 |
| Prelude and Fugue No.2 in C Minor (from The Well-Tempered Clavier, Bk.1) |
1 |
| Rinkart (Kommt Seelen) |
1 |
| Rondeau |
1 |
| Sarabande (from French Suite No. 1) |
1 |
| Sarabande, BWV 810 |
1 |
| Sarabande From Cello Suite in E Flat |
1 |
| Sarabande From French Suite No.1 |
1 |
| Scherzo, BWV 827 |
1 |
| Sheep May Safely Graze |
4 |
| Sheep May Safely Graze (from Cantata 208) |
1 |
| Sheep and Lambs May Safely Graze |
1 |
| Siciliano |
1 |
| Sighing, Weeping, Sorrow, Need |
1 |
| Sighing, Weeping, Sorrow, Need (from Cantata 21) |
1 |
| Sinfonia (from Christmas Oratorio) |
1 |
| Sleepers, Awake (Wachet Auf) |
3 |
| Sleepers, Wake! (from Cantata 140) |
1 |
| Sleepers, Wake! A Voice Is Calling |
1 |
| Slumber Song |
2 |
| The Well-Tempered Clavier Fugue 1, Book 1, BWV 846 |
2 |
| The Well-Tempered Clavier Fugue 1, Book 2, BWV 870 |
2 |
| The Well-Tempered Clavier Fugue 2, Book 1, BWV 847 |
3 |
| The Well-Tempered Clavier Fugue 2, Book 2, BWV 871 |
3 |
| The Well-Tempered Clavier Fugue 3, Book 1, BWV 848 |
3 |
| The Well-Tempered Clavier Fugue 3, Book 2, BWV 872 |
3 |
| The Well-Tempered Clavier Fugue 4, Book 1, BWV 849 |
2 |
| The Well-Tempered Clavier Fugue 5, Book 1, BWV 850 |
3 |
| The Well-Tempered Clavier Prelude 1, Book 2, BWV 870 |
2 |
| The Well-Tempered Clavier Prelude 2, Book 1, BWV 847 |
3 |
| The Well-Tempered Clavier Prelude 2, Book 2, BWV 871 |
3 |
| The Well-Tempered Clavier Prelude 3, Book 1, BWV 848 |
3 |
| The Well-Tempered Clavier Prelude 4, Book 1, BWV 849 |
2 |
| They |
1 |
| Three-Part Invention No. 9 in F Minor |
1 |
| Two-Part Invention In F Major |
1 |
| Two-Part Invention No. 10 in G Major |
1 |
| Two-Part Invention No. 4 in D Minor |
1 |
| Two-Part Invention No. 8 in F Major |
1 |
| Two-Part Invention No.1 in C Major |
1 |
| Two-Part Invention in A Minor |
1 |
| Two-Part Invention in C Major |
2 |
| Two-part Invention No. 1 BWV 772 |
3 |
| Two-part Invention No. 10 BWV 781 |
1 |
| Two-part Invention No. 11 BWV 782 |
3 |
| Two-part Invention No. 12 BWV 783 |
3 |
| Two-part Invention No. 13 BWV 784 |
2 |
| Two-part Invention No. 14 BWV 785 |
3 |
| Two-part Invention No. 15 BWV 786 |
3 |
| Two-part Invention No. 2 BWV 773 |
3 |
| Two-part Invention No. 3 BWV 774 |
3 |
| Two-part Invention No. 4 BWV 775 |
2 |
| Two-part Invention No. 5 BWV 776 |
3 |
| Two-part Invention No. 6 BWV 777 |
3 |
| Two-part Invention No. 7 BWV 778 |
2 |
| Two-part Invention No. 8 BWV 779 |
2 |
| Two-part Invention No. 9 BWV 780 |
3 |
| Variation 18: Canon (from The Goldberg Variations) |
1 |
| Variation 19 (from The Goldberg Variations) |
1 |
| Variations 1 and 2 - Goldberg Variations |
2 |
| Viola da Gamba Sonata In G Minor (2nd Movement) |
1 |
| Wachet Auf, Ruft Uns Die Stimme (from Cantata No.140) |
1 |
| Área Na Corda De Sol (BWV 1068) |
81 |
